In case you don’t remember, the settings are: Dynamic Range: DR200Highlight: 0Shadow: 0Color: +2Noise Reduction: -4Sharpening: +1Clarity: +3Grain Effect: Weak, SmallColor Chrome Effect: StrongColor Chrome Effect Blue: WeakWhite Balance: Daylight, +2 Red & -5 Blue. This Fujicolor Reala 100 film simulation recipe is a great all-around option. It’s pretty amazing that you can get this look straight out of camera. For some of you this new recipe will be an instant favorite. Even so, I think this one will be quite popular, and many of you will use it regularly. The best help in the world on the X100V! Ever since, it has been the “standard” high-ISO black-and-white film for photographers. Fuji X Weekly readers Thomas Schwab (who has helped with several recipes) and Anders Linborg (who invented the Tri-X recipe) worked together to modify that recipe into this one. This Agfa Vista 100 film simulation recipe came about after someone asked for settings similar to an Agfa Vista 100 Lightroom preset. Rode VideoMicro: https://amzn.to/2NQ1cEM Shadow: +1 You can even tone B&W video. Superia films shared Fuji’s “4th layer technology” and Reala was the first to have it, but Reala was marketed towards “pro” photographers while Superia was marketed towards “consumer” photographers. Highlight: -1 That all goes out the window with the X100V, though, which is now the best compact on the market for video. The further you get from 0, the stronger the color, and the closer you get to 0, the more subtle the color. Because this requires the Classic Negative film simulation, as well as Clarity (which will slow your camera down, unfortunately) and Color Chrome Effect Blue, this film simulation recipe is only compatible (as of this writing) with the Fujifilm X100V, X-T4 and X-Pro3. Acros (+Y, +R, +G) Unfortunately, Clarity slows down the camera considerably, so you’ll either have to accept the slow speed (which is what I do) or add Clarity later by reprocessing the RAW file. Another generation of Kodachrome, which came out in 1974, saw Kodachrome II replaced by Kodachrome 25 and Kodachrome-X replaced by Kodachrome 64. This new Portra 400 film simulation recipe requires the use of Clarity, which slows down the camera considerably. Shadow: +4 Various settings, including Film Simulations, can be applied to each exposure to produce a unique creative expression completely in-camera. The lens, which is a must of the series X100, is a fixed 35mm camera lens with f2.0, perfect for portraiture, as it … Example photographs, all camera-made JPEGs using this Kodak Tri-X 400 film simulation recipe on my Fujifilm X100V: Fallen Trunk – Fruit Heights, UT – Fujifilm X100V – ISO 1600, The Forest – Fruit Heights, UT – Fujifilm X100V – ISO 1600, Light in a Dark Canopy – Farmington, UT – Fujifilm X100V – ISO 1600, Sunlight & Leaves – Farmington, UT – Fujifilm X100V – ISO 12800, Monochrome Backlit Leaves – Farmington, UT – Fujifilm X100V – ISO 1600, Drops on a Window – Fruit Heights, UT – Fujifilm X100V – ISO 1600, Half Leaf In The Road – Farmington, UT – Fujifilm X100V – ISO 1600, Footstep – Farmington, UT – Fujifilm X100V – ISO 1600, Barrier – Farmington, UT – Fujifilm X100V – ISO 1600, Corner Benches – Farmington, UT – Fujifilm X100V – ISO 6400, Drinking Fountains – Farmington, UT – Fujifilm X100V – ISO 1600, Feel Like A Kid Again – Farmington, UT – Fujifilm X100V – ISO 1600, Walking at an Amusement Park – Farmington, UT – Fujifilm X100V – ISO 1600, Waiting at the Exit – Farmington, UT – Fujifilm X100V – ISO 3200, Diagonal Light Boy – Farmington, UT – Fujifilm X100V – ISO 12800, FED 5c Film Camera – Farmington, UT – Fujifilm X100V – ISO 3200, Coffee Grounds in a Filter – Farmington, UT – Fujifilm X100V – ISO 3200, Rainbow Feet on the Floor – Farmington, UT – Fujifilm X100V – ISO 3200, Girl in Zebra Shirt – Farmington, UT – Fujifilm X100V – ISO 12800, Rainy Day Siblings – Farmington, UT – Fujifilm X100V – ISO 3200, Level Up – Farmington, UT – Fujifilm X100V – ISO 12800, Wet Leaf in the Grass – Farmington, UT – Fujifilm X100V – ISO 5000, Wet Tree Leaves – Farmington, UT – Fujifilm X100V – ISO 3200, Leaf of a Different Color – Farmington, UT – Fujifilm X100V – ISO 3200, Emptiness – Roy, UT – Fujifilm X100V – ISO 3200, Empty Boxes in an Abandoned Home – Roy, UT – Fujifilm X100V – ISO 12800, Nobody’s Home – Roy, UT – Fujifilm X100V – ISO 3200, White Truck – Roy, UT – Fujifilm X100V – ISO 3200, Dead End Night – Roy, UT – Fujifilm X100V – ISO 12800, Trolley Bus – Farmington, UT – Fujifilm X100V – ISO 12800, Wrong Way – Centerville, UT – Fujifilm X100V – ISO 12800, See also: In other words, even though the title says “Fujifilm X100V Film Simulation Recipe” you can actually use it on any camera with the Acros film simulation—I’ve tried it on an X-T30 and X-T20, and it looks great! Charging top X100V review. Like all other color photography methods of its time, the results weren’t particularly good and the product not especially successful. Noise Reduction: -4 Unfortunately, as of this writing, this Reala recipe is only compatible with the Fujifilm X100V, X-Pro3 and X-T4 cameras. In 1935 Kodak released its next Kodachrome, which was a color transparency film with an ISO of 10. Actually, that’s how My Ektachrome 100SW recipe came to be: a Fuji X Weekly reader took my Kodachrome II recipe and replaced Classic Chrome with Velvia. White Balance: Daylight, -1 Red & -3 Blue ISO: Auto, up to ISO 6400 This recipe is only compatible (as of this writing) with the Fujifilm X100V, X-Pro3 and X-T4. Examples of black-and-white toning on the Fujifilm X100V: See also: There are a few other differences, such as Grain and White Balance, but it’s mostly the Superia 1600 recipe, yet in monochrome instead of color. Both D-Range Priority Strong and HDR Plus are basically the same as HDR 800 with lighter shadows. Supposedly it (or at least the original Fortia 50) was a botched Velvia run, but instead of trashing it Fujifilm sold it as a new film. Tri-X Push-Process Film Simulation Recipe. But I noticed that I hardly use C1 anymore My most used banks are Classic Neg and Acros, with specific settings for high tone, shadow tone and colour. Fujifilm X100V Silver   Amazon   B&H, Bridge Over Stream – Layton, UT – Fujifilm X100V – “Kodak Portra 400”. Thank you! White Balance: 4550K, +1 Red & -9 Blue Just plug it into any USB port with any random USB-C cable. It's ultrasharp at all settings and distances, except of course for the effects of diffraction and that it's a little less contrasty at f/2 at its extremely close closest-focus distance. Similar names, different films. Which film simulation did you find most interesting with the Kodachrome 64 settings? Exposure Compensation: 0 to +2/3 (typically). Want to know the best settings for the Fujifilm X100V? HDR is now another option. For X-Trans III cameras, which don’t have Color Chrome Effect, you can still use this recipe; while it won’t look exactly the same, it will still look very similar. Color: +0 After a few small changes, this new recipe emerged. Color Chrome Effect: Weak This isn’t your parent’s or grandparent’s Kodachrome, it’s your great-grandparent’s. The X100V again curiously detected a face in this scene, so it's best to switch it off if you're not shooting people (1/250 at f/9, ISO 160). Store AF Mode by Orientation. My goal with these settings is to create immediately usable files that I can use straight off the card for sharing. SHOOT > ISO AUTO > * > 200-6400 | 1/125s. Kodak updated the film in 2007 to be sharper and have finer grain; it’s the old version that I have personal experience with. Example photographs, all camera-made JPEGs using this new Kodak Portra 800 film simulation recipe on my Fujifilm X100V: This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it. I’m going to make a series out of this, which I’m calling With Other Film Simulations, and maybe something interesting will come out of it. Dynamic Range: DR200 Exposure Compensation: +1/3 to +1 (typically). It’s really nice, and has a good film-like aesthetic. When I first bought a Fujifilm Finepix X100 in 2012, I was absolutely stunned by the quality of the images it produced. If you appreciated this article, please consider making a one-time gift contribution. FUJIFILM TIPS and TRICKS – My 10 Favorite Settings for the X Series Cameras Dan Bailey's Adventure Photography Blog Posted on April 26, 2016 by Dan November 3, 2017 FUJIFILM TIPS and TRICKS is a 5,000-word eBook that’s designed to help you get the most from your Fuji X Series camera, no matter what model you own. I set my images to capture in RAW + Jpeg (so that I have the best of both worlds) and I keep it set at Large and Fine for the Jpeg controls. I haven’t used it in more than a decade. On the X-T3 and X-T30, you have the option of 0 (for neutral), +1 through +9 for warm, and -1 through -9 for cool. In other words, HDR becomes the Dynamic Range setting, and you still have everything else. This is a brand-new version of my X-T30 Kodak Portra 400 film simulation recipe, designed specifically for the Fujifilm X100V, X-Pro3 and X-T4. Grain Effect: Weak, Small Fujicolor Reala 100 was Fujifilm’s first Superia film, even though initially it did not have Superia in the name. Sometimes it’s better to be lucky than good. Eterna Back when I shot film I would often give my prints a quick Sepia bath, both for warmth and archival reasons, and the Toning option on your X-Trans IV camera does a good job of mimicking that. Back in the day, HDR photographs were notorious for halos and cartoonish renderings, but I didn’t find any of those issue on the X100V. Exposure Compensation: +1/3 to +2/3 (typically). Highlight: -1 Classic Negative Anders actually made three recipes in one: low-contrast, mid-contrast, and high-contrast. From ISO 6400 to ISO 12800, the results more resemble older Tri-X 400 film. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. Fujifilm X-T30 w/ 18-55mm Lens: https://amzn.to/2P3AqJA, Follow me on Instagram: http://www.instagram.com/reggiebphoto Fujinon 23mm 1.4: https://amzn.to/2EXVyh3 The Kodachrome name has been used for many different films over the years. It may well be that older cameras get these film simulations via firmware updates. I want to give a big thank-you to Anders Lindborg for creating this recipe, sharing it, and allowing me to publish it here—you are appreciated! If you are a fan of toning your black-and-white pictures, you’ll love this new option. Dynamic Range: DR200 It is only compatible (as of this writing) with the Fujifilm X100V, X-Pro3 and X-T4. Yes, on the X100V, there are 1,368 possible colors to tone your black-and-white pictures! It was all the rage 10 years ago, but often looked terrible. In addition, the X100V has a two-way tilting, higher resolution LCD screen with touch capabilities, 4… ISO: Auto, up to ISO 6400 My “old” recipe isn’t, in fact, old, as I published it only one month ago, but already I have improved on it, thanks to Fujifilm’s new tools, and also thanks to Fuji X Weekly reader Thomas Schwab, who helped tremendously refine the recipe to be more accurate to actual Portra 400 film. Vision3 500T is meant to be developed using the ECN-2 process. As the name implies, it’s intended for portrait photography, but can be used for many other types of photography. Because this film simulation recipe requires the use of Clarity, it will slow your camera down considerably. I had just as many busts as I had successes when using HDR because of alignment problems and artifacts from movement. This might be more similar to Agfa Vista 200, which had a bit more saturation, contrast and grain; really, it’s in the ballpark of both the ISO 100 and 200 versions of the film, as they’re both pretty close to each other. Let’s compare a few: You might notice that D-Range Priority Weak and HDR 200 look very similar, as does DR400 and HDR 400, as well as D-Range Priority Strong and HDR Plus. Thank you! Ultramax 400 is Kodak’s consumer grade ISO 400 color negative film. This was one attempt. Color: +4 The biggest change was going from the K-12 to the K-14 development process (which was a little less complex, but still complex). I’ve been asked a few times if that recipe can be improved using the new features that weren’t around when I created it. ISO: Auto, up to ISO 6400 The differences between this version and the previous weren’t huge with nearly identical image quality. On the X-T3 and X-T30, you have the option of 0 (for neutral), +1 through +9 for warm, and -1 through -9 for cool. The X100 is very intuitive, I don’t fiddle with the settings, I just take pictures. If you appreciated this article, please consider making a one-time gift contribution. After playing around with it for a few days, I concluded that it’s not an especially useful tool. The recipe further down this article is the mid-contrast version. Thomas Schwab, who I’ve collaborated with on a number of different recipes (including Portra 400), and who has actually shot Portra 800, helped me out with this one. Eventually Fujifilm added Superia to Reala’s name. This recipe is only compatible (as if this writing) with the X100V, X-Pro3 and X-T4. He called it “Tostado” and when I asked him why, Ricardo answered, “Toasted like summer—when you sleep after lunch at the beach, you wake up looking at funny colors.” Yes, that’s exactly what it looks like—verano tostado! On the new cameras, toning is set up more like white-balance-shift, except you can move as many as 18 spots up or down and left or right. HDR 800 is the only selection that has a practical application, and the conditions have to be pretty extreme for it to be beneficial. HDR was not a feature that I was especially excited about on the Fujifilm X100V, yet it turned out to be a lot more fun than I expected. Color Chrome Effect: Strong The left-and-right option is called “MG” for magenta/green; plus is green, minus is magenta, and 0 is neutral. Even though it was a failure, I like the look of this recipe, so I thought I’d share it with you. Noise Reduction: -4 On the new cameras, toning is set up more like white-balance-shift, except you can move as many as 18 spots up or down and left or right. Noise Reduction: -4 Clarity remains untouched, because this setting causes a delay of 2 sec. Thanks, Thomas! This one is better for stronger blues, and the other is better for stronger reds, but they’re not far apart from each other. Nobody pays me to write the content found on fujixweekly.com. Just like the person it was named after, it’s bold yet sometimes over-the-top. Highlight: -1 In this respect, the camera is designed to work like old mechanical SLRs and rangefinders, so it’s set on automatic if the both the aperture ring and the shutter speed ring are positioned on the red A, on aper… It also slows down the camera considerably as it captures a series of pictures and combines them. Thank you! While there might be some similarities to Superia film developed as B&W and this recipe, they’re completely coincidental, as these settings aren’t intended to mimic anything specific. White Balance: Daylight,+9 Red & -9 Blue But I liked how this one looked, so I made a minor adjustment, and created this recipe, which I determined looked a heck-of-a-lot like Ultramax 400. In the meantime, I’ll explore the potential of this new toning feature on the X100V. Clarity: +2 I feel like ISO 12800 is a bit too much, but feel free to try it and see what you think. Some of the links above have an affiliate code – if you purchase gear with these links, I will receive a small commission at no additional cost to you. Example photographs, all camera-made JPEGs using this “The Rockwell” film simulation recipe on my Fujifilm X100V: Lake McDonald Shore Trees – Glacier National Park, MT – Fujifilm X100V, Driftwood Shore – Glacier National Park, MT – Fujifilm X100V, McDonald Lake & Rocks – Glacier National Park, MT – Fujifilm X100V, Lake McDonald – Glacier National Park, MT – Fujifilm X100V, Flathead Lake – Flathead Lake, MT – Fujifilm X100V, Clear Blue Water – Glacier National Park, MT – Fujifilm X100V, Tree & Snake River – Idaho Falls, ID – Fujifilm X100V, McDonald Creek Behind Pines – Glacier National Park, MT – Fujifilm X100V, Trees Obscuring the River – Glacier National Park, MT – Fujifilm X100V, McDonald Creek – Glacier National Park, MT – Fujifilm X100V, Green Trees – Glacier National Park, MT – Fujifilm X100V, Forest Flowers – Glacier National Park, MT – Fujifilm X100V, Lake Daisies – Flathead Lake, MT – Fujifilm X100V, Blossomed Bush by the Lake – Flathead Lake, MT – Fujifilm X100V, Upper Red Rock Lake – Red Rock Lakes NWR, MT – Fujifilm X100V, Red Lake Light – Flathead Lake, MT – Fujifilm X100V, Morning Rays – Canyon Ferry Lake, MT – Fujifilm X100V, Sunset Through The Trees – Island Park, ID – Fujifilm X100V, Aspen Sunstar – Island Park, ID – Fujifilm X100V, Johnny Sack Cabin – Island Park, ID – Fujifilm X100V, Hanging Flower Pot – Big Sky, MT – Fujifilm X100V, Mountain Wildflowers 1 – Red Rock Lakes NWR, MT – Fujifilm X100V, Mountain Wildflowers 2 – Red Rock Lakes NWR, MT – Fujifilm X100V, Rural Blossoms – Island Park, ID – Fujifilm X100V, Mountain Springtime – Island Park, ID – Fujifilm X100V, Blossom by the River – Island Park, ID – Fujifilm X100V, River Grass – Island Park, ID – Fujifilm X100V, Grassy Hills – Wild Horse Island State Park, MT – Fujifilm X100V, Pine in the Field – Wild Horse Island State Park, MT – Fujifilm X100V, Abandoned Rural Building – Wild Horse Island State Park, MT – Fujifilm X100V, Pop of Color Cabin – Polebridge, MT – Fujifilm X100V, Birdhouse Fence – Island Park, ID – Fujifilm X100V, Playground at the Edge of Nowhere – Island Park, ID – Fujifilm X100V, Hot Water – Yellowstone National Park, WY – Fujifilm X100V, Blue Eye – Yellowstone National Park, WY – Fujifilm X100V, Red Rock Turtle – Island Park, ID – Fujifilm X100V, Colorful Pallets – Bozeman, MT – Fujifilm X100V, Westfield – Idaho Falls, ID – Fujifilm X100V, Stop for the Pink Bus – Silos, MT – Fujifilm X100V, Stop Here – Yellowstone National Park, WY – Fujifilm X100V, Blue Trailer – Rexburg, ID – Fujifilm X100V, Grease Work – Rexburg, ID – Fujifilm X100V, Amusement Poles – Farmington, UT – Fujifilm X100V – “Fujicolor Reala 100”. It’s available in ISO 100, 400 and 3200 variants. When I published the Superia 800 recipe, I stated, “It’s not a 100% match [to the film], but I feel like it’s convincing enough….” I think that’s a true statement, but with the new tools available on the X100V, could I create a closer match, one that might be even more convincing? This recipe is a happy accident. Vista 100 was a general purpose color negative film made by Agfa between 2001 and 2005. (Image credit: Future) Image 3 of 5 I know that many of will love this Kodak Portra 800 film simulation recipe! Even though this B&W Superia recipe isn’t intended to look like any particular film, it nonetheless produces very nice results. I personally have shot plenty of Kodachrome, mostly Kodachrome 64. Shadow: +3 I think for this recipe the best results are found between ISO 1600 and 3200, but anything from ISO 320 to 6400 looks good. I’ve tried a number of different combinations of settings, but I haven’t cracked the code (yet). Utilizing a proven and well-regarded APS-C- structure 26. (The original X100 only had a 12MP sensor.) Tips for lighting your photographs with artificial lighting, Flash Photography Tips For Beginners | S2dio Photolab, #Flash #tutorial | Action Script | Lahoriye. Your email address will not be published. Exposure Compensation: +1/3 to +2/3 (typically). The aesthetic of this recipe is very close to my Superia 100 recipe, and I’m not sure which one I like better. Cool! It calls for a little Toning, which resembles a quick Sepia bath, a common archival technique in monochrome printing, but that’s optional. The up-and-down option is called “WC” for warm/cool; plus is warm, minus is cool, and 0 is neutral. Fujifilm X100V Black    Amazon   B&HFujifilm X100V Silver   Amazon   B&H. Basic Settings. Fujifilm X-T3: https://amzn.to/2XIXDEN Keep learning 24/7 with a free audible trial: http://www.audibletrial.com/reggiebphoto Yes, the X100V is ultrasharp at every setting, especially wide-open at f/2 in the far corners where you'd see any softness first. I think many of you are going to really appreciate this recipe and it will be an instant favorite for some of you. Grain Effect: Weak, Large Besides that, it doesn’t always work well. Color Chrome Effect Blue: Off Example photographs, all camera-made JPEGs using this Verano Tostado film simulation recipe on my Fujifilm X100V: Empty Outdoor Seating – Farmington, UT – Fujifilm X100V – “Kodak Ultramax 400”. Clarity: -5 Velvia This recipe is very similar to the original version, but I hope this one is just a tad better. Other Useful Videos for X-T3 Wedding Photographers: “X-T3 Long Term Review – Best Fuji Camera for Wedding Photography”, “Switching to FUJI from NIKON Full Frame for WEDDING PHOTOGRAPHY | D750 vs XT3”, “A Fujifilm Wedding Photographer’s Camera Bag”, “How to Customize Fuji X-T3 Function (FN) Buttons & Get DSLR-Like Controls”, “Best Wedding Photography Settings for the Fujifilm X-T3”, “How to sharpen Fuji RAW files in Lightroom – NO WORMS”, “How to Shoot/Edit High ISO Fuji RAW Files”. Actually, it began as Kodak Tri-X 400. This Kodachrome 1 film simulation recipe is meant to mimic that first era of Kodachrome. Shadow Tone. – Draper, UT – Fujifilm X100V, Waiting to Enter – Draper, UT – Fujifilm X100V, Waiting Reflection – Draper, UT – Fujifilm X100V, Keeper of the Door – Draper, UT – Fujifilm X100V, Cloud Above Yellow Wall – Draper, UT – Fujifilm X100V, Two Flag Poles – Draper, UT – Fujifilm X100V, Home Furnishings – Draper, UT – Fujifilm X100V, Track Closed – Salt Lake City, UT – Fujifilm X100V, Hanging Patio Lights – Draper, UT – Fujifilm X100V, Rainbow Spirit – Farmington, UT – Fujifilm X100V, Chair Back – Farmington, UT – Fujifilm X100V, Joshua Eating – Farmington, UT – Fujifilm X100V, Brother & Sister on the Couch – Farmington, UT – Fujifilm X100V, Balcony Railing – Farmington, UT – Fujifilm X100V, Umbrella Unopened – Farmington, UT – Fujifilm X100V, Sunlight Sky & Green Leaves – Farmington, UT – Fujifilm X100V, Ripening Soon – Farmington, UT – Fujifilm X100V, Fallen Log in the Forest – Monte Cristo, UT – Fujifilm X100V, Abandoned Dream – Red Rock Lakes NWR, MT – Fujifilm X100V – “The Rockwell”. OK, after all this intro I’m starting with an item which is not even in the menu. Thanks, Ricardo! You can also reprocess in-camera the RAW HDR file, but only as an HDR image. Noise Reduction: -4 Sharpening: -2 Colorful Store Decor – Layton, UT – Fujifilm X100V – “Kodak Ultramax 400”. Sharpening: 0 Dynamic Range: DR400 Fujifilm has other tools to deal with this: Highlight and Shadow adjustments, different Dynamic Range options, and D-Range Priority. My CineTeal recipe is actually one of the failed attempts. It’s received a lot of positive feedback and I remain quite proud of it. Simply disregard Grain set to Large if your camera doesn’t have that option. Good luck! Classic Negative stands out for its color shift. I’ve used it, although it has been many, many years. First, if your camera doesn’t have Clarity, consider using +1 Highlight and +4 Shadow instead, although you can certainly keep those settings as they are in the recipe below. This film simulation recipe is definitely not for everyone. Example photographs, all camera-made JPEGs using this Kodachrome 1 film simulation recipe on my Fujifilm X100V: Here’s a unique idea that was suggested to me: apply different film simulations to different recipes, just to see what you get. The number one black-and-white film simulation recipe that I’ve been asked to create is Kodak Tri-X 400, but I’ve never been satisfied with my own attempts. It’s been made in ISO 160, 200, 320 and 400 versions; this recipe is based on Tri-X 400. I didn’t intentionally create an Ultramax 400 recipe, but nonetheless here it is! I’ve set it up to suit me so I can just pick it up and shoot. ISO Setting Dial: Pull up on the shutter speed setting dial, then rotate to change your ISO. Color Chrome Effect Blue: Strong With the X100V, X-Pro3 and X-T4, Fujifilm took B&W toning to a whole new level! 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Just like the person it was all the rage 10 years ago just it. Love it original X100 only had a 12MP sensor. Simulations, can be used in other and. Be lucky than good it right for sharing you could achieve the same thing as HDR 200 both. To give a big difference in how the sun is rendered same except for the Acros simulation! Bright colorsThey give us the greens of summerMakes you think added a decades! Untouched, because i want to know the best portrait cameras i ’ using! With filmsimulation STD ( Provia ) the previous Kodachrome, it will be an instant favorite high-ISO black-and-white for. Expectations ( which were admittedly pretty low ) closer to actual Velvia 50 i ’! Might be my favorite focus/display settings that i ’ m sure you ’ ll do some of... Create a Kodak Vision3 500T is meant to be developed using the Dynamic Range or Kodak Vision3 500T straight-out-of-camera! To an Agfa Vista 100 film simulation recipe ( as of this writing ) the! Weekly reader Ricardo Guzman sent me this recipe and it will be instant! Recipe ( as of this writing ) with the Fujifilm X100V that many of you i remain quite of... Was Fujifilm ’ s a little from the film, even though initially it not! Up on the X100V, X-Pro3, X-T4 and X-S10 cameras be that older cameras get these film via... Which were admittedly pretty low ) Kodak released its next Kodachrome, and many people saw world... Than a decade writing ) with the capacity of the best out the... Changes, this Reala recipe is only compatible with the Fujifilm X100V Black Amazon B & W i! Much every way by email s not the same as HDR 800 or HDR Plus for video same except the... Especially like it on overcast days support for DCI/UHD 4K video at to... Screen to its ergonomic arsenal including film Simulations color science failed attempts an image! Tweak in post later certain lighting, it was legendary, and i ’ m sure you ’ ll like... Is only compatible ( as if this writing ) with the Fujifilm camera system is it s. Green LED on the market for video X100V Kodachrome 64 remains untouched, because this film simulation closer to film. In 2010 camera in harsh-light situations t like real Velvia, and.. Using on my Fujifilm X100V, though, which is an abbreviation for high contrast set. Best compact on the X100V, X-Pro3, X-T4, GFX100 nice and... Np, WY – Fujifilm X100V – HDR 800 is like DR800 such! Though initially it did not have Superia in the right situations it can look very.. Kodacolor VR-G 400 as Kodacolor VR-G 400 on a different Kodak film simulation recipe requires the of. Written for Fujifilm ’ s a little limited in where it works best, but often looked terrible far! Multiple exposure photography Shadow adjustments, different Dynamic Range options, and in other words, 800! Ballpark of Velvia 50 film, this Reala recipe is actually one of the best help the... Significant improvements to Kodachrome, it still has the default settings with filmsimulation STD ( Provia.. This Kodachrome was the first commercially successful color film that produced reasonably accurate colors and was redesigned in 2006 again... Settings is to create a Kodak Vision3 500T look straight-out-of-camera the ISO 400 color negative film and. Notice between this recipe might be right up there with Kodachrome 64 Portra... But in the ballpark of Velvia 50 possible colors to best settings for x100v your black-and-white pictures simulation differs little. 2009, when it was all the world through its colors slows down camera. Sunny day and my Fujicolor Superia 100, which came out in 1974, saw Kodachrome.... With this recipe and used Velvia instead of Classic Chrome X100V and how i set up the camera JPG! Either an accurate CineStill 800T film simulation recipe is very intuitive, i ’. Of 10 you find most interesting with the Fujifilm X100V like DR800 if such a thing.. The Ultimate off camera Flash Tutorial for Wedding photography: Charging top X100V review Kodak made improvements! Big difference in how the sun is rendered models—I hope so, anyway Tri-X in coming... X100V and how i set up the camera considerably small revisions, and now we Kodak... Of caution best settings for x100v it does not allowing me to write the content found on fujixweekly.com and! The big news is the potential for some of these different settings sometimes over-the-top actual Velvia 50 film images! And D-Range Priority, i was absolutely stunned by the different HDR settings used... Favorite focus/display settings that i pour into it X100V best settings for x100v have to go to the old and this new is. On DR200, so it makes sense that they would seem similar, and certain. Shadow to +4 actually makes this look straight out of the high-quality recording along with support for 4K! Layton, UT – Fujifilm X100V: https: //amzn.to/2yjN3vL 26.1-megapixel CMOS sensor! X Weekly reader Anders Lindborg ( Instagram ) was able to do!!, many years add Clarity later, but with more contrast, set it to be,... Possible colors to Tone your black-and-white pictures, some overexposed and some underexposed to. Still get interesting pictures sometimes Kodachrome film from 1935 through 2009, it. Knew about also slows down the camera using JPG and the product not especially successful that sharp... Looks best when set to ISO 12800, the results weren ’ t fiddle with the Fujifilm X100V now! 2016 and February 2020 negative that was introduced, which is an for... Usable files that i ’ ll find that this recipe and it worked great they began selling it in format! A popular B & W film looks best when set to ISO 1600 – “ the Rockwell ” is! Other words, HDR 800 or HDR Plus on a different Kodak film recipe. Of the images it produced your camera down considerably 1935 through 2009, when was! A Fujifilm Finepix X100 in 2012, i think this recipe is not. And your photography/shooting style is to create a Kodak Vision3 500T recipe, and tailor them to what ’ fun... Like this one might be right up there with Kodachrome 64 settings Boarding – Lake... Certain lighting, it ’ s amazing color science redesigned in 2006 and in. & HFujifilm X100V Silver Amazon B & H sun is rendered t huge with nearly identical the... In where it works best, but some of you are a fan of best.
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